Written: Sadık Şendil

Director: Kazım Akşar

Decor: Sertel Çetiner

Costume: Sevgi Türkay

Light: Mehmet Yaşayan

Choreography: Yener Turan

Light Assistance: Semih Alper

Assistance: Filiz Yiğitbaşı

Arena Chief: Orhan Karataş

Callboy: Abdulkadir Özdemir

Light Controller: Mahmut Gözel

Cast:

Ünsal Coşar, Adviye Öztürk, Erkan Alpago, Mert Tanık, Filiz Yiğitbaşı, Mehtap Öztepe, Yavuz Köken, Ali Fuat Davutoğlu, Mehmet Ali Toklu,

Simgem Baykara,Gülnur Korkmaz, Uygar Taylan, Irmak Ergenoğlu, Zeliha Karakoca, Beril Demir, Ayla Kaymak, Gökçe Demiröz, Gülşah Tarım, Emel Ahu Bora, Gülden Çelen, Feridun Aygınlı, Ali Şar, Ümit Kiremitçi

Orchestra

Ahmet Yaldız, Fevzi İpteş, Ahmet Balamir, Fethi Günçer, Adnan Yıldırım,Haluk Kılıç, Osman Kurtuluş

Synopsis

Set back in the late-Ottoman Empire period of Istanbul; then still a naturally elegant and a pre-industrial-age purity-preserved backdrop to the story, Kanli Nigar storms the stage with an assemblage of the period's folk culture and street performance acts. In more of a referential stance and a guiding light to the Turkish Cultural heritage, the play is centralized around the infamous Kanli Nigar, a lady of one too many social (!?) skills and a matching number of enemies who are lined up in the 'hood' to take revenge.

Having survived a very traumatic life, Nigar grows up to demand the power that the society once took away from her along with her innocence. Her house of frequently "visited" young scrumptious ladies join her in executing her master plan, taking ruthlessness off of the streets, one man at a time.

Nigar, the girls and the nanny have crafted the terms of hospitality into extreme measures, briefly upon teasing with enchanting dances, girls would proceed to deliberate toxication, seduction, pickpocketing, pretty much sucking the life out of the horned up guys before they find themselves on the street with no "score" whatsoever.

The comedy unfolds when she coincides a supposedly religious but steadily unethical public figure, rents his house with a concealed identity, and begins to resolve a number of twists and turns of the men from her past. For clarification purposes, the adjective in front of Nigar's name, Kanli, means "Bloody" in Turkish.

Audiences wanted to go figure how bloody things can get and yet laugh out loud in every moment of it.

Akün Arena

04-10-2008

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